{"title":"LUUK DE HAAN","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eLuuk de Haan was born 1964 in Vlaardingen in The Netherlands.\u003c\/p\u003e\n\u003cp\u003eHis work emphasizes sequential processes and long durations, returning photography to a unique and individualized practice and away from reproductive economies of mass production. His work involves an interrogation of the definition and function of photography, inviting us to reflect on what ‘photographic ness’ might mean and why it might matter. His photographs break traditional conventions of picture-making, placing us in an alternative viewing position, with a different kind of subjectivity to the visual world they confront us with.\u003c\/p\u003e\n\u003cp\u003eSuch images counter the photographically saturated environment of our hyper-mediated world, slowing our perception and encouraging a more thoughtful consideration of its effects by offering us an alternative, more contemplative visual experience.\u003c\/p\u003e\n\u003ch3\u003e\n\u003c!-- split --\u003e\u003cbr\u003eExhibitions \u0026amp; Fairs\u003c\/h3\u003e\n\u003cp\u003e2023\u003c\/p\u003e\n\u003cp\u003eMay 11 – June 17: The Borders | Mob-art Studio Luxembourg\u003c\/p\u003e\n\u003cp\u003eMay 28 – Aug 30: Unusual | Kahmann Gallery Amsterdam\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJune 15 – 18: Affordable Art Fair Sydney | Lightworks\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSept 20 – 24: Haute Photographie Amsterdam\u003c\/p\u003e\n\u003cp\u003eHaute Photographie Rotterdam\u003c\/p\u003e\n\u003cp\u003e2021\u003c\/p\u003e\n\u003cp\u003eArt Miami 2021\u003c\/p\u003e\n\u003cp\u003ePauze, SchlessArt, Voert 18, Bergen NH\u003c\/p\u003e\n\u003cp\u003eOrbit, Poimena Gallery, Tasmania Australia, march 11th\u003c\/p\u003e\n\u003cp\u003e2020\u003c\/p\u003e\n\u003cp\u003eIntersect Aspen, Aspen, USA, July 22-26\u003c\/p\u003e\n\u003cp\u003eMU in Apeldoorn | Faraway Up Close, with catalogue, ACEC, 18 January – 1 March\u003c\/p\u003e\n\u003cp\u003ePalm Beach Modern + Contemporary 2020, Palm Beach, USA, 8-11 January\u003c\/p\u003e\n\u003cp\u003e2019\u003c\/p\u003e\n\u003cp\u003eKunst10Daagse, Bergen NH, 18-27 October\u003c\/p\u003e\n\u003cp\u003ePainting with Light, Yossi Milo Gallery, USA, Jan 17 – Feb 23\u003c\/p\u003e\n\u003cp\u003e2018\u003c\/p\u003e\n\u003cp\u003eExpo Chicago 2018, September 27-30\u003c\/p\u003e\n\u003cp\u003eContemporary Transformations, Duke Contemporary Art Space, Bangkok, Thailand\u003c\/p\u003e\n\u003cp\u003eGrenzeloos Tekenen, SchlessArt, Bergen, September 1-23\u003c\/p\u003e\n\u003cp\u003ePalm Beach Modern + Contemporary 2018, Palm Beach, USA\u003c\/p\u003e\n\u003cp\u003e2017\u003c\/p\u003e\n\u003cp\u003eEloquent Geometry, Espace Meyer\/Zafra, Paris, France\u003c\/p\u003e\n\u003cp\u003eExpo Chicago 2017, USA\u003c\/p\u003e\n\u003cp\u003eArt New York 2017, USA\u003c\/p\u003e\n\u003cp\u003e2016\u003c\/p\u003e\n\u003cp\u003eArt Basel Miami 2016, USA\u003c\/p\u003e\n\u003cp\u003eLight Painted Abstractions, Kaune Contemporary, Cologne, Germany\u003c\/p\u003e\n\u003cp\u003eSongs on Paper – duo exhibition with Pieter Bijwaard – Kunsthandel Ineke Aronds, Bergen, The Netherlands\u003c\/p\u003e\n\u003cp\u003eExpo Chicago 2016, USA\u003c\/p\u003e\n\u003cp\u003ebig nothing – curated by Richard Caldicott – Sous Les Etoiles Gallery, New York City, USA\u003c\/p\u003e\n\u003cp\u003ePrime Time \/ Object_if – archetypes of abstraction in photography, with catalogue, DiehlCUBE, Berlin, Germany\u003c\/p\u003e\n\u003cp\u003eArt New York 2016, USA\u003c\/p\u003e\n\u003cp\u003e2015\u003c\/p\u003e\n\u003cp\u003eSilence out Loud – curated by Joost Zwagerman – Museum Kranenburgh, Bergen, The Netherlands\u003c\/p\u003e\n\u003cp\u003eBlind Date II, Dapiran Art Project Space, Utrecht, The Netherlands\u003c\/p\u003e\n\u003cp\u003eModest Masters #1, Het Hof, Bergen, The Netherlands\u003c\/p\u003e\n\u003cp\u003eWays of the Imagination, Witteveen Visual Art Centre, Amsterdam, The Netherlands\u003c\/p\u003e\n\u003cp\u003e2014\u003c\/p\u003e\n\u003cp\u003eInspiratie – kunst, kennis en natuur, Museum Kranenburgh, Bergen, The Netherlands\u003c\/p\u003e\n\u003cp\u003e2013\u003c\/p\u003e\n\u003cp\u003eNeue Stille, Galerie Vous Êtes Ici, Amsterdam, The Netherlands\u003c\/p\u003e\n\u003cp\u003e2010\u003c\/p\u003e\n\u003cp\u003eSchoK, Schoorl, The Netherlands\u003c\/p\u003e\n\u003cp\u003e2009\u003c\/p\u003e\n\u003cp\u003eBergen Geestgrond, Museum Kranenburgh, Bergen, The Netherlands\u003c\/p\u003e\n\u003cp\u003e1995\u003c\/p\u003e\n\u003cp\u003eHe has never been to NYC, Galerie Jansen \u0026amp; Baumler, Amsterdam\u003c\/p\u003e\n\u003cp\u003e1994\u003c\/p\u003e\n\u003cp\u003eLisboa Taxi, Galerie Jansen \u0026amp; Baumler, Amsterdam\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003ePublications\u003c\/h3\u003e\n\u003cp\u003e2023\u003c\/p\u003e\n\u003cp\u003eCollectables – issue #4, Kahmann Gallery\u003c\/p\u003e\n\u003cp\u003e2019\u003c\/p\u003e\n\u003cp\u003eoutwards #3 in: Maanbrief aan het getij – de belofte van het komen en gaan, Inge Nicole, In de Knipscheer\u003c\/p\u003e\n\u003cp\u003eHonourable Mention from Minimalist Photography Awards 2019 in the ‘Open Theme’ category. And selected for publishing in the annual book of the competition.\u003c\/p\u003e\n\u003cp\u003eHonourable Mention from Minimalist Photography Awards 2019 in the ‘Photomanipulation’ category. And selected for publishing in the annual book of the competition.\u003c\/p\u003e\n\u003cp\u003e2018\u003c\/p\u003e\n\u003cp\u003e‘outwards #3’ in: Tijdschrift voor Zijnsoriëntatie 57\/2018\u003c\/p\u003e\n\u003cp\u003eSelected photographs with an essay by Derek Horton\u003c\/p\u003e\n\u003cp\u003eVolar by Longplay (Pieter Bijwaard \u0026amp; Luuk de Haan), with text by Joost Zwagerman\u003c\/p\u003e\n\u003cp\u003e2017\u003c\/p\u003e\n\u003cp\u003eDichtersvisioen – mystieke duidingen van de laatste gedichten van Joost Zwagerman\u003cbr\u003eDiscovery Books, isbn 978-90-77728-44-4\u003c\/p\u003e\n\u003cp\u003eAbstract, Blow Photo issue #15\u003c\/p\u003e\n\u003cp\u003e2016\u003c\/p\u003e\n\u003cp\u003eDe keuze van Joost Zwagerman. Ode aan de kunst, uitgeverij Terra\u003c\/p\u003e\n\u003cp\u003ePrime Time – Archetypes of Abstraction in Photograph, Volker Diehl\u003c\/p\u003e\n\u003cp\u003eBig Nothing june 16, The New Yorker\u003c\/p\u003e\n\u003cp\u003e5 Photography Exhibitions to See This Summer, july 5, Aperture\u003c\/p\u003e\n\u003cp\u003eBig nothing at Sous Les Etoiles by Isabelle Von Arx, june 20, Musée Magazine\u003c\/p\u003e\n\u003cp\u003e2015\u003c\/p\u003e\n\u003cp\u003ewaarschijnlijkheid 10, Witteveen Visual Art Centre Magazine, Oeke Witteveen\u003c\/p\u003e\n\u003cp\u003eInspiratie door het Oude Hof, NRC\u003c\/p\u003e\n\u003cp\u003e2014\u003c\/p\u003e\n\u003cp\u003eHet Oude Hof in Bergen, uitgeverij Noord-Holland\u003c\/p\u003e\n\u003cp\u003e2013\u003c\/p\u003e\n\u003cp\u003eZielsverwant aan de nieuwe stilte, Het Parool\u003c\/p\u003e\n\u003cp\u003e2012\u003c\/p\u003e\n\u003cp\u003ereview Music for Artists #1 | januari edition #107, Gonzo Circus\u003c\/p\u003e\n\u003cp\u003e2009\u003c\/p\u003e\n\u003cp\u003eBergen | Geestgrond, uitgeverij d’Jonge Hond\u003c\/p\u003e","products":[{"product_id":"big-nothing-17","title":"big nothing 17, 2013","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePrinted on Hahnemühle museum etching paper | unique\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHand-signed recto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe issue of what, if anything, is represented in an image is alluded to in the title of De Haan’s series big nothing (2013-16), implying that we might be looking into the void. How can a photograph of nothing exist? Literally, of course, it can’t. Even in big nothing, we see visual phenomena recorded photographically and perceived optically, even though what we see might not seem to relate to the ‘real’ world around us. Another aspect of abstraction comes into play here, the relationship between form and formlessness. De Haan’s big nothing series explores the boundaries of form and our capacity to perceive its existence against a background of formlessness. The amorphous shapes in these images exist at the threshold of emergence and disappearance. In terms of the digital construction of the images, intriguingly, the shape contains fewer data than the surrounding space. \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e– Derek Horton\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eSIZE\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003e100 x 72.6 cm (39.4 x 28.6 in), image 82.3 x 54.9 cm (32.4 x 21.6 in)\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003ePROVENANCE\u003c\/h3\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eThis work by Luuk de Haan is sourced directly from the artist.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eCOA\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eEach print purchase comes with a certificate of authenticity from the artist and LIGHTWORKS.\u003c\/p\u003e","brand":"Luuk de Haan","offers":[{"title":"Default Title","offer_id":40521928835145,"sku":"","price":0.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/1556\/4361\/files\/bignothing17.png?v=1739686717"},{"product_id":"big-nothing-65","title":"big nothing 65, 2021","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePrinted on Hahnemühle museum etching paper | unique\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHand-signed recto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe issue of what, if anything, is represented in an image is alluded to in the title of De Haan’s series big nothing (2013-16), implying that we might be looking into the void. How can a photograph of nothing exist? Literally, of course, it can’t. Even in big nothing, we see visual phenomena recorded photographically and perceived optically, even though what we see might not seem to relate to the ‘real’ world around us. Another aspect of abstraction comes into play here, the relationship between form and formlessness. De Haan’s big nothing series explores the boundaries of form and our capacity to perceive its existence against a background of formlessness. The amorphous shapes in these images exist at the threshold of emergence and disappearance. In terms of the digital construction of the images, intriguingly, the shape contains fewer data than the surrounding space. \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e– Derek Horton\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eSIZE\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e100 x 82 cm (39.4 \u003c\/span\u003e\u003cspan\u003ex 32.3 in)\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003ePROVENANCE\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p2\"\u003eThis work by Luuk de Haan is sourced directly from the artist.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eCOA\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eEach print purchase comes with a certificate of authenticity from the artist and LIGHTWORKS.\u003c\/p\u003e","brand":"Luuk de Haan","offers":[{"title":"Default Title","offer_id":40521928966217,"sku":"","price":0.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/1556\/4361\/files\/bignothing65.png?v=1739686687"},{"product_id":"big-nothing-71-2013","title":"big nothing 71, 2021","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePrinted on Hahnemühle museum etching paper | unique\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHand-signed recto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe issue of what, if anything, is represented in an image is alluded to in the title of De Haan’s series big nothing (2013-16), implying that we might be looking into the void. How can a photograph of nothing exist? Literally, of course, it can’t. Even in big nothing, we see visual phenomena recorded photographically and perceived optically, even though what we see might not seem to relate to the ‘real’ world around us. Another aspect of abstraction comes into play here, the relationship between form and formlessness. De Haan’s big nothing series explores the boundaries of form and our capacity to perceive its existence against a background of formlessness. The amorphous shapes in these images exist at the threshold of emergence and disappearance. In terms of the digital construction of the images, intriguingly, the shape contains fewer data than the surrounding space. \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e– Derek Horton\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eSIZE\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e100 x 82.3 cm (39.4 x 32.4 in)\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003ePROVENANCE\u003c\/h3\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eThis work by Luuk de Haan is sourced directly from the artist.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eCOA\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eEach print purchase comes with a certificate of authenticity from the artist and LIGHTWORKS.\u003c\/p\u003e","brand":"Luuk de Haan","offers":[{"title":"Default Title","offer_id":40521929392201,"sku":"","price":0.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/1556\/4361\/files\/bignothing71.png?v=1739686663"},{"product_id":"addingtoone-9-2017","title":"addingtoone 9, 2017","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePrinted on Hahnemühle museum etching paper \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHand-signed recto\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eSIZE\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003e51.3 x 41.4 cm (20.2 x 16.3 in) - 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Edition of 3\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e30.5 x 39.4 in (77.47 x 100.07 cm) | image 26.6 x 35.5 in (67.56 x 90.17 cm) - Edition of 3\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e1\/3 - sold\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003ePROVENANCE\u003c\/h3\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eThis work by Luuk de Haan is sourced directly from the artist.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eCOA\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eEach print purchase comes with a certificate of authenticity from the artist and LIGHTWORKS.\u003c\/p\u003e","brand":"Luuk de Haan","offers":[{"title":"16.6 x 20.5 in (41.40 x 51.56 cm)","offer_id":40521995190345,"sku":null,"price":0.0,"currency_code":"AUD","in_stock":true},{"title":"30.5 x 39.4 in (77.47 x 100.07 cm)","offer_id":40521995223113,"sku":null,"price":0.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/1556\/4361\/files\/onderhemelse2.png?v=1739743597"},{"product_id":"waarschijnlijkheid-7-2013","title":"waarschijnlijkheid 7, 2013","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eprinted on hahnemühle fine art pearl | unique\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHand-signed verso\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"body-13pt\"\u003eTranslated to English as ‘probability’, the title waarschijnlijkheid suggests the way the images point to what he refers to as a ‘probable truth’ for de Haan. Visual clues lead us to conclusions about a visual reality that is not fully delineated. We make assumptions that a partially revealed line will continue in a particular direction and about depth or distance based on the relative thickness of lines or density of tones. The repetition and subtle shifts of simple forms generate complexity.\u003c\/p\u003e\n\u003cp\u003eIn this series, as with many others, the seductive aesthetic derives partly from a debate of stability and movement. Of course, these are static images, but their illusion of movement, the shifting sensations created in our perception of them, are, as usual in de Haan’s work, a result of the actual movement involved in his photographic technique – in the animation of screen images (in this case a slideshow of squares), in the physical movement of the camera used to photograph them, and in the digital manipulation of the resulting image.\u003c\/p\u003e\n\u003cp\u003eThe allusions to architecture in the waarschijnlijkheid series are particularly relevant to this discourse of stability and movement. Whilst buildings are solid and stable, our embodied experience of them is always characterised by our movement past, through or within them. The linearity and planar space of architecture is thus experienced in a constantly shifting way, as its static surfaces are seen in a continuously moving relationship to each other because we are in motion. Contrarily, our stillness when viewing de Haan’s images is counteracted by the movement of his camera in making them. – Derek Horton\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eSIZE\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003e59.4 x 42 cm (23.4 x 16.5 in)\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003ePROVENANCE\u003c\/h3\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eThis work by Luuk de Haan is sourced directly from the artist.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eCOA\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eEach print purchase comes with a certificate of authenticity from the artist and LIGHTWORKS.\u003c\/p\u003e","brand":"Luuk de Haan","offers":[{"title":"Default Title","offer_id":40635284127817,"sku":null,"price":0.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/1556\/4361\/files\/waarschijnlijkheid7.png?v=1739687224"},{"product_id":"waarschijnlijkheid-15-2013","title":"waarschijnlijkheid 15, 2013","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePrinted on hahnemühle fine art pearl | unique\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHand-signed verso\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"body-13pt\"\u003eTranslated to English as ‘probability’, the title waarschijnlijkheid suggests the way the images point to what he refers to as a ‘probable truth’ for de Haan. Visual clues lead us to conclusions about a visual reality that is not fully delineated. We make assumptions that a partially revealed line will continue in a particular direction and about depth or distance based on the relative thickness of lines or density of tones. The repetition and subtle shifts of simple forms generate complexity.\u003c\/p\u003e\n\u003cp\u003eIn this series, as with many others, the seductive aesthetic derives partly from a debate of stability and movement. Of course, these are static images, but their illusion of movement, the shifting sensations created in our perception of them, are, as usual in de Haan’s work, a result of the actual movement involved in his photographic technique – in the animation of screen images (in this case a slideshow of squares), in the physical movement of the camera used to photograph them, and in the digital manipulation of the resulting image.\u003c\/p\u003e\n\u003cp\u003eThe allusions to architecture in the waarschijnlijkheid series are particularly relevant to this discourse of stability and movement. Whilst buildings are solid and stable, our embodied experience of them is always characterised by our movement past, through or within them. The linearity and planar space of architecture is thus experienced in a constantly shifting way, as its static surfaces are seen in a continuously moving relationship to each other because we are in motion. Contrarily, our stillness when viewing de Haan’s images is counteracted by the movement of his camera in making them. – Derek Horton\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eSIZE\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003e59.4 x 42 cm (23.4 x 16.5 in)\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003ePROVENANCE\u003c\/h3\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eThis work by Luuk de Haan is sourced directly from the artist.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eCOA\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eEach print purchase comes with a certificate of authenticity from the artist and LIGHTWORKS.\u003c\/p\u003e","brand":"Luuk de Haan","offers":[{"title":"Default Title","offer_id":40635573239881,"sku":null,"price":0.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/1556\/4361\/files\/waarschijnlijkheid15.png?v=1739687181"},{"product_id":"nine-rectangles-5-2017","title":"nine rectangles 5, 2017","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArchival pigment print on Hahnemuehle paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHand-signed verso\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eEDITIONS\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e20.2 x 16.3 in (51.3 x 41.3 cm)- unique\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003ePROVENANCE\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p2\"\u003eThis work by Luuk de Haan is sourced directly from the artist.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eCOA\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eEach print purchase comes with a certificate of authenticity from the artist and LIGHTWORKS.\u003c\/p\u003e","brand":"Luuk de Haan","offers":[{"title":"20.2 x 16.3 in (51.3 x 41.3 cm)","offer_id":41378706718793,"sku":null,"price":0.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/1556\/4361\/files\/ninerectangles5.png?v=1739743946"},{"product_id":"nine-rectangles-8-2017","title":"nine rectangles 8, 2017","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArchival pigment print on Hahnemuehle paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHand-signed verso\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eEDITIONS\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e20.2 x 16.3 in (51.3 x 41.3 cm)- unique\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003ePROVENANCE\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p2\"\u003eThis work by Luuk de Haan is sourced directly from the artist.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eCOA\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eEach print purchase comes with a certificate of authenticity from the artist and LIGHTWORKS.\u003c\/p\u003e","brand":"Luuk de Haan","offers":[{"title":"20.2 x 16.3 in (51.3 x 41.3 cm)","offer_id":41379109929033,"sku":null,"price":0.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/1556\/4361\/files\/ninerectangles8.png?v=1739743921"},{"product_id":"atlas-of-relativity","title":"atlas of relativity, 2015","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePrinted on Hahnemuehle museum etching paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHand-signed recto\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eEDITIONS\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e3 times 35.4 x 23.7 in (90 x 60.3 cm)- Triptych - unique\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003ePROVENANCE\u003c\/h3\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eThis work by Luuk de Haan is sourced directly from the artist.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eCOA\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eEach print purchase comes with a certificate of authenticity from the artist and LIGHTWORKS.\u003c\/p\u003e","brand":"Luuk de Haan","offers":[{"title":"35.4 x 23.7 in (90 x 60.3 cm)","offer_id":41379224584265,"sku":null,"price":0.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/1556\/4361\/files\/Screenshot2024-05-16at2.08.14PM.png?v=1715832860"},{"product_id":"precarious-firm-3","title":"precarious firm 3, 2024","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePrinted on Hahnemühle museum etching paper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHand-signed recto\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eSIZE\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003e51.3 x 41.3 cm (20.2 x 16.3 in) - unique\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003ePROVENANCE\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p2\"\u003eThis work by Luuk de Haan is sourced directly from the artist.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eCOA\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eEach print purchase comes with a certificate of authenticity from the artist and LIGHTWORKS.\u003c\/p\u003e","brand":"Luuk de Haan","offers":[{"title":"51.3 x 41.3 cm (20.2 x 16.3 in)","offer_id":41523995934793,"sku":null,"price":0.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/1556\/4361\/files\/precariousfirm3.png?v=1739687141"},{"product_id":"digital-noise-through-analog-eyes-2024","title":"digital noise through analog eyes 78, 2024","description":"\u003cp class=\"p1\"\u003ePhotograph printed on hahnemühle paper \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHand-signed recto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe title digital noise through analog eyes, provides a clue to a method applied throughout most of De Haan's work. Noise in this context is a random variation of brightness or colour information in digital images. It can be produced by the sensor and circuitry of a scanner or digital camera and is the digital equivalent of film grain for analog cameras and feedback or static for audio equipment. Digital noise appears as random flaws or glitches that can significantly degrade image quality.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAlthough therefore usually regarded as an undesirable byproduct of image capture that adds spurious and extraneous information, for De Haan it is just another valuable visual element to be exploited. He elevates noise to a position of aesthetic significance, enhancing the processes that lead to it and allowing the noise to become an essential medium in the production of his images. - Derek Horton\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eSIZE\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e100 x 82 cm, image 90 x 72 cm - unique\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003ePROVENANCE\u003c\/h3\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eThis work by Luuk de Haan is sourced directly from the artist.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eCOA\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eEach print purchase comes with a certificate of authenticity from the artist and LIGHTWORKS.\u003c\/p\u003e","brand":"Luuk de Haan","offers":[{"title":"51.3 x 41.3 cm (20.2 x 16.3 in)","offer_id":41542799163465,"sku":null,"price":0.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/1556\/4361\/files\/digitalnoisethroughanalogeyes_2024.png?v=1739744232"},{"product_id":"big-nothing-170-2024","title":"big nothing 170, 2024","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePrinted on Hahnemühle museum etching paper | unique\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHand-signed recto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe issue of what, if anything, is represented in an image is alluded to in the title of De Haan’s series big nothing, implying that we might be looking into the void. How can a photograph of nothing exist? Literally, of course, it can’t. Even in big nothing, we see visual phenomena recorded photographically and perceived optically, even though what we see might not seem to relate to the ‘real’ world around us. Another aspect of abstraction comes into play here, the relationship between form and formlessness. De Haan’s big nothing series explores the boundaries of form and our capacity to perceive its existence against a background of formlessness. The amorphous shapes in these images exist at the threshold of emergence and disappearance. In terms of the digital construction of the images, intriguingly, the shape contains fewer data than the surrounding space. \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e– Derek Horton\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eSIZE\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003e100 x 72.6 cm (39.4 x 28.6 in), image 82.3 x 54.9 cm (32.4 x 21.6 in)\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003ePROVENANCE\u003c\/h3\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eThis work by Luuk de Haan is sourced directly from the artist.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eCOA\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eEach print purchase comes with a certificate of authenticity from the artist and LIGHTWORKS.\u003c\/p\u003e","brand":"Luuk de Haan","offers":[{"title":"Default Title","offer_id":42115924459593,"sku":null,"price":0.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/1556\/4361\/files\/Untitleddesign_07dd9b84-7d81-4f0c-aa2b-5cf9a040d7c5.png?v=1740810428"},{"product_id":"digital-noise-through-analog-eyes-56-2016","title":"digital noise through analog eyes 56, 2016","description":"\u003cp class=\"p1\"\u003ePhotograph printed on hahnemühle paper \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHand-signed recto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe title digital noise through analog eyes, provides a clue to a method applied throughout most of De Haan's work. Noise in this context is a random variation of brightness or colour information in digital images. It can be produced by the sensor and circuitry of a scanner or digital camera and is the digital equivalent of film grain for analog cameras and feedback or static for audio equipment. Digital noise appears as random flaws or glitches that can significantly degrade image quality.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAlthough therefore usually regarded as an undesirable byproduct of image capture that adds spurious and extraneous information, for De Haan it is just another valuable visual element to be exploited. He elevates noise to a position of aesthetic significance, enhancing the processes that lead to it and allowing the noise to become an essential medium in the production of his images. - Derek Horton\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eSIZE\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e100 x 82 cm, image 90 x 72 cm - unique\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003ePROVENANCE\u003c\/h3\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eThis work by Luuk de Haan is sourced directly from the artist.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eCOA\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eEach print purchase comes with a certificate of authenticity from the artist and LIGHTWORKS.\u003c\/p\u003e","brand":"Luuk de Haan","offers":[{"title":"51.3 x 41.3 cm (20.2 x 16.3 in)","offer_id":54815283839049,"sku":null,"price":0.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/1556\/4361\/files\/digital-noise-through-analog-eyes-56.jpg?v=1762316050"},{"product_id":"digital-noise-through-analog-eyes-9-2016","title":"digital noise through analog eyes 9, 2016","description":"\u003cp class=\"p1\"\u003ePhotograph printed on hahnemühle paper \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHand-signed recto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe title digital noise through analog eyes, provides a clue to a method applied throughout most of De Haan's work. Noise in this context is a random variation of brightness or colour information in digital images. It can be produced by the sensor and circuitry of a scanner or digital camera and is the digital equivalent of film grain for analog cameras and feedback or static for audio equipment. Digital noise appears as random flaws or glitches that can significantly degrade image quality.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAlthough therefore usually regarded as an undesirable byproduct of image capture that adds spurious and extraneous information, for De Haan it is just another valuable visual element to be exploited. He elevates noise to a position of aesthetic significance, enhancing the processes that lead to it and allowing the noise to become an essential medium in the production of his images. - Derek Horton\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eSIZE\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e100 x 82 cm, image 90 x 72 cm - unique\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003ePROVENANCE\u003c\/h3\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eThis work by Luuk de Haan is sourced directly from the artist.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eCOA\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eEach print purchase comes with a certificate of authenticity from the artist and LIGHTWORKS.\u003c\/p\u003e","brand":"Luuk de Haan","offers":[{"title":"51.3 x 41.3 cm (20.2 x 16.3 in)","offer_id":54815294390345,"sku":null,"price":0.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/1556\/4361\/files\/digital-noise-through-analog-eyes-9.jpg?v=1762316229"},{"product_id":"digital-noise-through-analog-eyes-26-2016","title":"digital noise through analog eyes 26, 2016","description":"\u003cp class=\"p1\"\u003ePhotograph printed on hahnemühle paper \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHand-signed recto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe title digital noise through analog eyes, provides a clue to a method applied throughout most of De Haan's work. Noise in this context is a random variation of brightness or colour information in digital images. It can be produced by the sensor and circuitry of a scanner or digital camera and is the digital equivalent of film grain for analog cameras and feedback or static for audio equipment. Digital noise appears as random flaws or glitches that can significantly degrade image quality.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAlthough therefore usually regarded as an undesirable byproduct of image capture that adds spurious and extraneous information, for De Haan it is just another valuable visual element to be exploited. He elevates noise to a position of aesthetic significance, enhancing the processes that lead to it and allowing the noise to become an essential medium in the production of his images. - Derek Horton\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eSIZE\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e100 x 82 cm, image 90 x 72 cm - unique\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003ePROVENANCE\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p2\"\u003eThis work by Luuk de Haan is sourced directly from the artist.\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eCOA\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eEach print purchase comes with a certificate of authenticity from the artist and LIGHTWORKS.\u003c\/p\u003e","brand":"Luuk de Haan","offers":[{"title":"51.3 x 41.3 cm (20.2 x 16.3 in)","offer_id":54815307399241,"sku":null,"price":0.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/1556\/4361\/files\/digital-noise-through-analog-eyes-26.jpg?v=1762315778"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/1556\/4361\/collections\/Luuk_de_Haan-_crop2.jpg?v=1739523712","url":"https:\/\/www.lightworksgallery.net\/collections\/luuk-de-haan.oembed","provider":"LIGHTWORKS","version":"1.0","type":"link"}